Earliest of the monuments around the perimeters of the ancient Walled City is the Rey Carlos IV Monument. Casted in 1808, it was erected in the Philippine soil, in front of the Manila Cathedral in 1824 in gratitude to His Royal Highness, the King of Spain, because of the shipment of the vaccines used to cure small pox that infested the Philippine inhabitants in the early 1800’s. The place where it stands was known as the Plaza Mayor during the Spanish Colonization, Plaza McKinley in the American Period and nowadays, Plaza Roma. The Statue of the King was replaced by a monument dedicated to Gomburza in 1960’s and was returned on its original site in 1981.
The inscription in the monument reads: Al Rey de Carlos IV en gratito al non beneficio de la vacuna los habitantes de Filipinas.
From a Governor General to a Governor General
Taking a ride along the Bonifacio Drive outside the Walled City, one may see a marble memorial dedicated to the 41st Governor General of the Philippines, Simeon de Anda y Salazar. It was erected in 1871 through the efforts of the then Governor General, Carlos Maria dela Torre, to commemorate Anda’s efforts to fight British forces during their brief invasion of the Spanish colony. The Monument was first erected just outside the Fort Santiago, near the mouth of the Pasig River. It was dismantled in 1960’s and was moved to the present site during the construction of the Del Pan Bridge. The place where the monument currently stands is now known as the Anda Circle.
In 1848, a monument dedicated to the discoverer of the Philippine Islands was erected. Inscribed with Fernando Magallanes’ name, it was a monumental column decorated with laurel leaves and anchors, symbols for his victory in navigation. The bronze globe as well as the merlions was probably exported from Belgium. It had once erected outside the Puerta Isabel II until it was moved to near the Aduana Building at the back of Intendencia in 1904 after part of its wall was leveled down. The monument is a casualty of the Second World War, and now lost in oblivion after the US Military clean up crew bulldozed the said column, pushing it down to the Pasig River
The Cross and the Sword
The triumph of the cross and sword over the Philippine Archipelago commemorates the Legazpi-Urdaneta Monument. It was commissioned by the Spanish government in the Philippines in the late 1890’s to the famous Catalonian sculptor, Agustin Querol y Subirals. By the time of its completion, it was already the Americans who were occupying the islands. It was shipped from Barcelona to Manila and was stored inside the customs storeroom for decades until it was finally erected between 1929 -1931, at the time of American Governor General Dwight F. Davies. The bronze and granite monument depicts Miguel Lopez de Legaspi holding a sword (now missing), symbolizes Spain’s triumph in ruling the colony and Fray Andres de Urdaneta holding a cross signifying the victory of the Catholic Church.
The Queen of Spain, Reina Isabel II instructed Ponciano Ponzano, a Spanish sculptor to cast a bronze statue of her image and likeness, which will be shipped to Manila where it will be erected in her honor. The statue of the queen arrived in the Philippine soil on July 14, 1860, with much pomp and pageantry as if the queen in her flesh came. It was first erected at the Plaza Arroceros. Due to the queen’s mismanagement of her royal court, an uprising known as the Carlist Revolution of 1868 was plotted against her. He went into an exile and was replaced by her son. Meanwhile in the Philippines, a new government was established, in the person of Governor General Carlos Maria de la Torre, a Carlist. His first anti-Bourbon move in the islands was to dismantle the former queen’s statue and to dump it in a bodega. Due to the fear that the statue will be melted down and its iron be used for other purposes, the Sociedad Economica de Amigos de Pais requested that they would like to keep it as a work of art. But because it was not funded by the Spanish Government in the Philippines, it was not handed to them. It was instead stored in one of the bodegas inside the Ayuntamiento. When the Anti-Bourbon campaign slightly subsided, the statue finally found a new place to stand. In 1896, Malate Church served as her second home. It stood there until fierce typhoon Yoling toppled her down in 1970. The statue was returned to Intramuros in 1975, when it was restored in time for the state visit of her great great-grandson Principe Carlos, later King Carlos of Spain. How befitting that she was installed near an ancient gate where her name was also inscribed, the Puerta Isabel II.
His Eminence
An archbishops’ educational legacy to the Filipinos was immortalized by a quaint but proud statue erected near the church of Santo Domingo and facing the portals of the Universidad de Santo Tomas inside the Walled City. Dedicated to Archbishop Miguel de Benavides, OP, it commemorates his desire to build an educational institution, with the funds he bequeathed together with his personal library collection. His dream came to a reality in 1611 when the Colegio de Nuestra Señora del Rosario, was known later as the Royal and Pontifical University of Santo Tomas, the first Catholic university in Asia. The statue was commissioned in Paris in 1889 and was probably casted by Tony Noel, a name found at the back of his image. It was unveiled inside Intramuros in 1891. The statue was transferred to its new location after the Second World War at Espana, Manila, the new university site purchased by the Dominicans in 1927. A fiberglass replica was placed in 2003 at the same spot where it was originally installed.
With the exemption of the Benavides Monument, how ironic that these ancient monuments, originally installed to give credits to whatever they commemorate, are now neglected. Do we really need another World War for them to be destructed just to see their historical and cultural significance? If that happens, all we can say then is “sayang…”
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Photo Credits
The University of Michigan Digital Library and Photographic Archives
It was in June 12, 1991 that a young lady dressed in white appeared to Bro. Carmelo. first witnessed manifestations of rose petals with religious images, and healing. Her heart was visible, just like the image of the Immaculate Heart of Mary, but this time with the Holy Eucharist at the center encircled by stars. She had a rosary and a Mt. Carmel Scapular on each of her hand. It was the beginning of his mission.
It was in Guiguinto that I first saw Carmelo Cortez. An ordinary man with an extraordinary mission. After the Mass, the Blessed Sacrament was exposed. I didn't know that it was the signal for the start of the healing. People started to sit on pews. Those who are sick, on wheel chair and old are the priorities. Carmelo went on to them, applied some rose-scented oil on their palms and placed a single rose petal on their chests. After these, he placed his hands on their head, a sign that Carmelo is praying for that person. He did these to all people gathered inside the church. I was seated a the back so I have longer time to wait for my turn. I was nervous when i saw Melo was approaching me. I was not sick that time. I was just praying that all in our family will be well, specially my Nanay. I also wanted to have my rose petal with images on it. "What if there will be no images?" I asked myself. Then I thought of those people who curiously looking at their petals, gazing marvelously on the images imprinted miraculously on them. Then I thought, maybe if I would just believe, miracles will happen.
As Carmelo placed a rose petal on my chest, I closed my eyes. I placed my hands over my chest, praying. Melo laid his hands on my head. And then, he left for the person next to me. I opened my eyes to see whats on the petal. I raised the petal to the light and there, I saw and image of the Child Jesus, His arms spread, as if welcoming someone to be embraced. He wants to embrace me.
The Hermandad de la Virgen Maria of Malolos City, Bulacan would like you to be part of this year's Marian Exhibit entitled Rosa Mystica; it would showcase various statues, images and icons of the Blessed Virgin Mary, most specially the devotion to her. Exhibit runs from May 2 to May 7, 2010 and would be mounted at the Diocesan Museum of Malolos, Barasoain Church Complex, City of Malolos, Bulacan.
Yesterday, I was invited by my dear friend, Devy, to eat at her apartment for lunch. As we walked towards her apartment, we came across this brick-and-wood structure that I always fancy. The structure was once a train station of the Railroad System of the Philippine National Railways in the town of Meycauayan.
